Matisse large pink nude

Painted on top of the pink are a number of forms that are not easy to decipher. Etta, an amateur musician, managed the household. Raised Image 1 This outline represents the three sections of the painting. The Moroccan in Green. This sets up rhythms and encourages the eye to make a journey around the painting from one zone to another. Around them are simple arc-like lines.
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‘Life in Color’ Maps Modern Master Henri Matisse’s Evolution

Nude Sitting in an Armchair. This lower section depicts four butterscotch circles which are melons and gourds lying amongst large green leaveson a tiled surface. The nude stands in a bedroom decorated with wallpaper with a plant motif echoing the vase of flowers on the table, and its reflection in the oval swan neck mirror on the left of the canvas. By only leaving us clues, Matisse leaves us space within to the painting to add our own ideas about the scene. This represents the man's haunches.
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Large Reclining Nude by Matisse also known as Pink Nude

End of Raised Image Description Another puzzle exists in the criss-cross pattern of the tiles. If there is some red spot on one of my paintings it is unlikely to be the heart of the work. This represents the man's haunches. Post-Human Paradise 5 October - 5 November The curled green leaves then become hunched bodies, transforming the fruit on the tiles into worshippers on a prayer mat bowing in the direction of the imam. French Window at Collioure.
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The painter has come up to his model as if for a close-up, and the background is a mere setting, with no perspectival depths. The simplified forms give the different elements a solidity within the ambiguous space, while the rhythmic repetition of shapes and colours helps the viewer to link the three separate sections. The Easter Island statues now scattered around the world. Henri Matisse, a retrospective. Still Life on a Blue Table.
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